Victorians and ‘the Big Society’: Some reimaginings and reflections

by Lucinda Matthews-Jones The Victorians are everywhere. They are on our TV screens, bookshelves and DVD cabinets. Our appetite for Victorian culture is even fuelled, now, by newly-written ‘neo-Victorian’ novels and their TV adaptations, including Sarah Waters’s Fingersmith, Affinity and Tipping the Velvet and Michael Faber’s The Crimson Petal and the White. More recently, though I hardly dare mention it, the Victorians have even been re-imagined in the corridors of Westminster. Type David Cameron into Google and one of the

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The Framework Knitters’ Museum: See how the Victorian lived and worked

          Image One and Image Two showing the road sign directing visitors to the Framework Knitters’ Museum in Ruddington. I have recently moved from Manchester to a small Nottinghamshire village called Ruddington. Here is a corner of Englishness that still sees the shops close on Wednesday afternoon and where couples descend to the picturesque Anglican church to get married in summer. The nearby Great Central Heritage Railway provides the occasional ‘choo-chooing’ of visiting steam trains. The opening of

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Philanthropic Princes – Charles, Prince of Wales, Edward VII and Victorian Cultures of Charity

Last month Prince Charles officially became the longest serving heir to the British throne in history, outstripping the record held by his great-grandfather Edward VII, who spent fifty nine years in the wings waiting to take over from his mother Queen Victoria. Many of the British newspapers which carried the story indulged in comparisons of these two most senior Princes of Wales; some focusing on the relationships the two men had with their reigning mothers and their long preparations for

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The Crimson Petal and the White and seeing Victorian London

London 1874, keep your wits about you, this city is vast and intricate, and you do not know your way around. You imagined from other stories you read that you know it well, but those stories flattered you: you are an alien from another time and place altogether. You don’t even know what hour it is, nor do most where you’re going. Sugar, Episode One.                                                                                                        Victorian London has returned to British screens with the dramatization of Michel Faber’s 2002 novel

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The Battle of the Peacock Room: Two New Exhibits at the Freer

Together, “The Peacock Room Comes to America” and “Chinamania” are worth visiting, not only to get a new look at the collecting work of these three late nineteenth-century connoisseurs —extraordinary in itself—but also to understand more about Whistler’s pivotal position between Victorian Aestheticism and the early twentieth-century’s Modernist preoccupation with primitive form.

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Traffic Jams: A window into Victorian Mobility

A new UK Government strategy to tackle the congestion caused by road closures was unveiled this week by Roads Minister, Mike Penning.  In the global twenty-first century society, traffic jams and travel chaos seemingly go hand-in hand with the cosmopolitan lifestyle mobile technology affords.  As I write, the BBC’s live ‘jam cameras’ reveal the extent of the traffic problems in London alone (currently I can view the miles of stationary traffic on the North Circular, or the equally snarled Cricklewood

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The Importance of Being Earnest Live in HD

On 2 June 2011, the Roundabout Theatre Company’s production of Wilde’s masterpiece will be broadcast live in HD at cinemas throughout the United States and internationally, with repeat performances being shown periodically until 28 June. To complete the experience, the Playgoer’s Guide to the production is available online, offering a brief sketch of the play’s original cultural context. [youtube]http://www.youtube.com/watch?v=AcTmJHsbOXQ&feature=player_embedded[/youtube] It is interesting that the information in the guide, as well as some of the trailers and videos on the theatre

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Bestselling the Victorians: Bill Bryson’s ‘At Home.’

Bryson’s 2010 “Short History of Private Life,” the newest of the author’s bestselling works, assumes the enormous task of documenting the development of domestic life from the earliest traces of human dwellings up to the present day. The Daily Telegraph’s review, which appears on the opening page of the book, rightly, but perhaps unintentionally, highlights the problematic readability of Bryson’s study: “[Bryson has] extracted the most arresting material [from 508 books] and turned the result into a book that, for

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A Tale of Two Book Club Selections: Oprah Reads Dickens

by Ryan D. Fong University of California, Davis For many years now, at the beginning of the Dickens Universe conference held each year at UC Santa Cruz, eminent Victorian scholar and Universe director John O. Jordan affectionately introduces the weeklong proceedings by asserting that “Charles Dickens is the train station through which all things in the nineteenth century pass.” Indeed, it is difficult, if not impossible, to think of any Victorian topic not represented or considered in Dickens’ novels and

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Are Victorian Adaptations Passé?

As Colin Firth basks in The King’s Speech’s afterglow, Emma Thompson pens a screenplay for My Fair Lady, and Baz Lurhmann directs The Great Gatsby, it seems that the heritage film industry is increasingly trading in Victorian sources for more modern fare. This displacement of Victorian source texts by 20th-century upstarts is clearly visible on television, as well. Masterpiece Theatre, the long-running public television program that imports British costume drama to American Anglophiles, noticeably skipped over Victorian texts in this

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