Kathryn Hughes, ‘Dickens World and Dickens’s World’

Dickens World opened at Chatham Maritime Docks in May 2007 and it almost immediately met with widespread criticism. Dickens World, emphasize its owners, is an ‘attraction’ and not a theme park. Given that once-aloof museums are increasingly employing the interactive strategies of the theme park, it seems entirely reasonable that a commercial ‘attraction’ such as Dickens World might in turn wish to annex some of the curatorial rigour of the museum. For what strikes you as you walk through Dickens

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Where Angels Fear to Tread

In JVC 15.2, Julie-Marie Strange discusses the relationship between academic and popular history with Andrew Davies whose book  on the scuttlers, The Gangs of Manchester (2008), was adapted for stage by MaD Theatre Company. Mixing music-hall humour and the Madchester sound, Angels with Manky Faces was acclaimed by audiences in Manchester and Liverpool. Read Andrew Davies and Julie-Marie Strange in conversation: http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=2&spage=268. Watch Director Rob Lees on the making of Angels with Manky Faces [youtube]http://www.youtube.com/watch?v=FkwzfUicehc[/youtube]

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New Agenda – David L. Pike, ‘Afterimages of the Victorian City’

The Victorian street and underworld have had remarkable afterlives in twentieth-century reinterpretations of Victorian cityscapes. In JVC 15.2, David L. Pike explores what persists in our vision of the nineteenth-century city well over a century after it was, so to speak, first seen, and how what persists impacts on our attempts to reconstruct that act of seeing. He sees spectral ‘afterimages’ of the Victorian street  and underground, in a variety of contemporary sources, ranging from Gary Sherman’s Death Line (1972)

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