The Victorian street and underworld have had remarkable afterlives in twentieth-century reinterpretations of Victorian cityscapes. In JVC 15.2, David L. Pike explores what persists in our vision of the nineteenth-century city well over a century after it was, so to speak, first seen, and how what persists impacts on our attempts to reconstruct that act of seeing. He sees spectral ‘afterimages’ of the Victorian street and underground, in a variety of contemporary sources, ranging from Gary Sherman’s Death Line (1972)
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Romantics at Tate Britain
‘Romantics’ is showing at Tate Britain 9 August 2010 – 31 December 2012 Post a review of the exhibition
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