Category: Victorians on Display

How Victorian jewellery both shaped and reflected changes in society

Victorians Beyond the Academy, Victorians on Display

Jewellery’s evolution in the 1800s highlights many of the economic and moral changes that transformed British society during the Queen’s 63-year reign. Jewellery is a private, yet paradoxically the most visible, sign of these social shifts. The growth of personal autonomy meant it was worn on the body, exchanged in love and carried into mourning — yet its evolution was based on the large-scale trends of imperial expansion and technological advance. From Tudor exclusivity to Victorian ubiquity By the nineteenth

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Commemorating the Crimean War: The Provenance and Symbolism of a British Medal of 1856

Exhibitions, Other, Victorians on Display

With the exception of the Great Exhibition of 1851, and its long ‘afterlife’ following the relocation at Sydenham of the glass-and-iron Crystal Palace which housed it, perhaps no other event during the Victorian era engendered such an extensive and varied material culture as the Crimean War (1854-6).[1] Medallists, ceramists, artists, and others commemorated the age-defining conflict fought by the allies – Britain, France, the Ottoman Empire, and Piedmont-Sardinia – against Russia in a cornucopia of objects, many of which survive

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Arsenic and Old Wallpapers

Other, Victorians Beyond the Academy, Victorians on Display

“My wallpapers are killing me; one of us must go!” Oscar Wilde’s infamous last words are usually construed as a rueful comment on the ugliness of the decorations in his Paris hotel bedroom. Yet they could also be interpreted literally, and applied to the thousands of Victorians who fell victim to the deadly pigments in their wallpapers. Even from the vantage point of the recent pandemic, the nineteenth century was a hazardous time to be alive: subject to regular outbreaks

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Lady Clementina Hawarden: the silhouette motif in photographic art

Other, Victorians on Display

1st June 2022 marked the bicentenary of the birth of pioneering photographer Clementina Hawarden (1822-1865), one of the most significant women to contribute to early photography. In this blog I highlight a specific genre within the extensive Hawarden photographic collection at the Victoria and Albert Museum, London, concentrating on use of the silhouette as a stylistic motif in her photographic portraiture. Viscountess Clementina Hawarden, née Fleeming, left an extensive oeuvre of collodion photographic images marking her brief embrace of the

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‘Bill’s-O’-Jacks’ and the Northern ‘Dark Tourist’

Other, Victorians Beyond the Academy, Victorians on Display

The floor was covered with blood, as if it was a butcher’s slaughter-house. The wall of the room, on three sides, was sprinkled with human blood, […] and even the glass of the windows, on the fourth side, were splashed with blood. [1] Thomas Smith saw this when visiting The Moorcock Inn – more commonly known as ‘Bill’s-O’-Jacks’ – in 1832. The gore from father and son William and Thomas Bradbury was so thick that Smith repeated it three times

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Books, Reading, and Daydream Believing: Christy Carew Has ‘Nothing’ to Do

Other, Victorians on Display

The current pandemic triggered what appears to be a reading revival. As I noted media discourse on people accumulating books, I wondered whether sometimes these books were companions to a daydream, as individuals imagined an alternative present or felicitous future; experiencing, as Charlotte Bronte expressed it in Villette, “the life of thought, and that of reality”.[1] Researching fictional experiences of reading in women’s writing at the fin de siècle, I notice a book is often accompaniment to a daydream. It

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‘Crushed Flounces and Broken Feathers’: British Women’s Fashions and their Indian Servants in Victorian India

Victorians Beyond the Academy, Victorians on Display

‘We have had so many inquiries respecting Indian outfits, and necessary articles of dress for the Presidencies…’ (The Englishwoman’s Conversazione, Englishwoman’s Domestic Magazine, 1 July 1869). Britain’s imperial control and power over India had reached its epitome in the nineteenth century, as the East India Company had become entrenched, and later, the colonial society was consolidated by the imposition of Crown Rule in 1858. The nineteenth century, especially the second half, witnessed many British women crossing the seas to reside

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Claws and Petticoats: The Victorian Lion Queens

Other, Victorians Beyond the Academy, Victorians on Display

In a recent article I wrote about Maccomo, the first black lion tamer in Victorian England. But working with wild cats was not only just for men. Several Victorian women became famous in their own right for braving the lion’s cage. The earliest mention of a female working with wild cats appears in the Liverpool Mercury on 1 August 1845: ‘A Mrs. King, who takes the title of the Lion Queen, has been exhibiting her foolhardiness at Glasgow, by going

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Crafting in the Classroom: Hands-On Approaches to Victorian Material Culture

Other, Teaching the Victorians, Victorians Beyond the Academy, Victorians on Display

This is the third post in the ‘Crafting Communities’ series on JVC Online. See Part One and Part Two. At a virtual roundtable on Victorian material culture held in February 2021, Andrea Korda presented on The Plough, a large-scale print published by London’s Art for Schools Association in 1899 for classroom walls. By large-scale, we mean enormous—five by six feet, to be exact, a height that would tower over most schoolchildren, and even over the teachers, once mounted on a

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