Tag: Material Culture

Commemorating the Crimean War: The Provenance and Symbolism of a British Medal of 1856

Exhibitions, Other, Victorians on Display

With the exception of the Great Exhibition of 1851, and its long ‘afterlife’ following the relocation at Sydenham of the glass-and-iron Crystal Palace which housed it, perhaps no other event during the Victorian era engendered such an extensive and varied material culture as the Crimean War (1854-6).[1] Medallists, ceramists, artists, and others commemorated the age-defining conflict fought by the allies – Britain, France, the Ottoman Empire, and Piedmont-Sardinia – against Russia in a cornucopia of objects, many of which survive

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Victorian Paper Art and Craft: Writers and Their Materials

Book Reviews

Lutz, Deborah. Victorian Paper Art and Craft: Writers and Their Materials. Oxford University Press, 20 January 2023, 240 pp., $45.00 (hardcover), ISBN: 9780198858799 In 1845, desperate after months of silence from Constantin Heger, the French professor she loved, Charlotte Brontë wrote to him in a frantic state. She begged for the crumbs of his friendship in the strongest of terms, ascribing a life-giving quality to his written word. Her final letter ends with a plea: “when the sweet delight of

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JVC issue 27.1 is now available!

Published in JVC

Anyone who’s read, or seen the latest adaptation of, Kate Atkinson’s Life after Life will remember the hapless Irish maid, Bridget, accused in an early scene of being  ‘brought up in a field’.  As Catherine Healy explores in her Prize Winning essay in this issue, Ethnic Jokes: Mocking the Working Irish Woman,  ‘Bridget’ is a stock comic figure of the nineteenth-century press, appearing liberally in English, Irish and American light journalism. Healy’s essay extends and deepens the explorations pioneered in

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Crafting in the Classroom: Hands-On Approaches to Victorian Material Culture

Other, Teaching the Victorians, Victorians Beyond the Academy, Victorians on Display

This is the third post in the ‘Crafting Communities’ series on JVC Online. See Part One and Part Two. At a virtual roundtable on Victorian material culture held in February 2021, Andrea Korda presented on The Plough, a large-scale print published by London’s Art for Schools Association in 1899 for classroom walls. By large-scale, we mean enormous—five by six feet, to be exact, a height that would tower over most schoolchildren, and even over the teachers, once mounted on a

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Podcasting (and) the Victorians

Digitizing the Victorians, Teaching the Victorians, Victorians Beyond the Academy

This is the second post in the ‘Crafting Communities’ series on JVC Online. See Part One and Part Three. When Thomas Edison debuted the phonograph in 1878, he circulated an ambitious list of possible uses. In addition to the reproduction of music, the use we most readily associate with his invention, Edison anticipated the creation of phonographic books for blind people. He also proposed applications with notably less traction, such as phonographic clocks designed to announce meal times. Noteworthy among

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Crafting Communities: Rethinking Academic Engagement in Pandemic Times and Beyond

Other, Roundtables, Victorians Beyond the Academy, Victorians on Display

This is the first post in the ‘Crafting Communities’ series on JVC Online. See Part Two and Part Three. It is July 2020, the summer of Covid. Libraries are closed. Museums are closed. University courses and conferences have moved online. A small group of Victorianists gathers on Zoom to learn how to make hair art. Led by Vanessa Warne (U of Manitoba), the event is a test run for the upcoming semester, when Vanessa plans to make hair art with

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Alyson Hunt, An Unrecognised Memento of the Past

Published in JVC, Victorians Beyond the Academy

The link between geography and genius is a moot point. Every country, county, city, town and village lauds their links with celebrated artistes from history no matter how dubious or remote the connection, marking their traces with plaques asserting that they lived here, stayed there, performed nearby, were born in the vicinity and created their best work inspired by this place. In recent years this slightly eccentric British tradition has become of interest not just to local history groups and

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Ruth Mason, Odd Objects from Victorian Britain

Victorians Beyond the Academy

Ruth is a PhD student in the Geography Department at University College London. Her research focuses on the designed spaces and material culture of Wesleyan Methodism in London between 1851 and 1932 and what they can reveal about contemporary congregational experiences of Methodism. Alongside other graduates from the Royal College of Art and Victoria & Albert Museum’s History of Design MA, Ruth is a founding member of the Fig.9 experimental History of Design Collective (www.fig9collective.com). She is also a co-editor

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Ashley Cook, The Curious Case of the New Woman Chutney

Published in JVC

Ashley Cook completed her PhD at the University of Otago, New Zealand on late-Victorian fairy tales. She is now guest lecturer and post-doctoral researcher in English at the University of Tuebingen, Germany. Her research interests include women’s writing, experiences and understandings of time and temporality, gender and genre fiction. In her increasingly elusive spare time, she enjoys extolling the virtues of children’s fiction, running, and attempting to reproduce (with varying amounts of success) cakes from the Great British Bake Off.

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Odd Objects from Victorian Britain: The Ceramic Lovefeast Mug

Victorians Beyond the Academy

by Ruth Mason (University College London) Ruth is a PhD student in the Geography Department at University College London. Her research focuses on the designed spaces and material culture of Wesleyan Methodism in London between 1851 and 1932 and what they can reveal about contemporary congregational experiences of Methodism. Alongside other graduates from the Royal College of Art and Victoria & Albert Museum’s History of Design MA, Ruth is a founding member of the Fig.9 experimental History of Design Collective.

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