‘Out of Style’: Taylor Swift, Genre, and the Victorian Novel

Known all too well for her name in popular culture, Taylor Swift is gaining a reputation in literary circles, too. To enchanted listeners, she’s not just a singer-songwriter; she’s a poet as well. Following the release of Swift’s eleventh album, The Tortured Poets Department (2024), Stephanie Burt published an article in The Nation that recognised Swift’s mastery of literary devices, ranging from apostrophe and hyperbole to slant rhyme. Burt is certainly not alone in her attention to Swift as a

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How Victorian jewellery both shaped and reflected changes in society

Jewellery’s evolution in the 1800s highlights many of the economic and moral changes that transformed British society during the Queen’s 63-year reign. Jewellery is a private, yet paradoxically the most visible, sign of these social shifts. The growth of personal autonomy meant it was worn on the body, exchanged in love and carried into mourning — yet its evolution was based on the large-scale trends of imperial expansion and technological advance. From Tudor exclusivity to Victorian ubiquity By the nineteenth

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Reading Toru Dutt as a ‘Romantic’ Urban Nature Poet

Sing his name, o dear, who in this far land Sings your name in all his songs for Bengal. Michael Madhusudan Dutt, ‘Kapatakkha River’. This essay reads nineteenth-century poet Toru Dutt’s work as a Bengali author’s successful attempt to write the Romantic sonnet in English, but within a Bengali context. Dutt achieves this both by being influenced by, and deviating from, the poetics of the British Romantics. The poems in focus are ‘Sonnet — Baugmaree’ and ‘Sonnet — The Lotus’,

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Itinerants and Travellers in the Nineteenth Century

1841 was the year of the second national British census. It was also the year that Charles Dickens completed the serial publication of The Old Curiosity Shop and published it in book form. Less famously, 1841 saw the appearance of a two-volume travelogue called The Zincali: An Account of the Gypsies of Spain. The author was the little-known George Borrow (1803-1881). In the 1820s and 1830s, Borrow traveled extensively through England, France, Germany, Spain, Morocco, and Russia. His official business,

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Resource: the Charles Dickens Illustrated Gallery

Available at CharlesDickensIllustration.org, the Gallery contains over 2000 free-to-use illustrations for teachers, educators or creatives to do whatever they like with, taken from the most significant illustrated editions of Dickens’s works up to 1912 (the centenary of his birth). The project launched about 18 months ago now, with just the original illustrations (about 700 images), and now also features the illustrations from the Household Edition, Library Edition, and the ‘Pears’ Centenary Edition of the Christmas Books.

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“Willows whiten, aspens shiver”: A Reading of Affects in Alfred, Lord Tennyson’s “The Lady of Shalott”

Alfred, Lord Tennyson’s ‘The Lady of Shalott’1 creates an anachronistic medieval ambience by borrowing the mythical figures of Dame Elaine of Astolat and Lancelot, the feudal settings of Camelot, and the manorial island of Shalott. As a complex blend of medieval and Victorian motifs, it also creates an interesting intersection between medieval and Victorian affects. This essay brings to the fore the constructedness of affects as social artefacts in the poem, which become embedded in a network of material or

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A Royal Seal of Approval: P. T. Barnum in Europe

On a cold February day in 1844, a small group of travellers disembarked their ship at the port of Liverpool in England. There was no welcoming party, no bands nor banners, and the visitors slipped silently away to their hotel. Amongst them were the American showman P. T. Barnum and his protégé Charles S. Stratton, known as General Tom Thumb. Both were little-known in England at that time, but this would mark the beginning of a three-year-long tour of the

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Conflict as a Means of Emancipation: Female Agency and Resistance in ‘North and South’

‘North and South’ by Elizabeth Gaskell uses the Industrial Revolution as a catalyst to delve into questions about female agency and the themes of female resistance. Indeed, class conflict and gender dynamics are intertwined throughout the novel in order to reveal how women negotiate the oppressive structures of their society. Gaskell reveals, through the experiences of the key female characters – Margaret Hale, Bessy Higgins, and Mrs. Thornton – that, quite often, emancipation comes through conflict, where women can assert

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‘I wear men’s lives’: The Maternal Femme Fatale in R. Murray Gilchrist’s ‘The Crimson Weaver’

Robert Murray Gilchrist (1868-1917) was a prolific writer who, over the course of his career, produced 22 novels and nearly 100 short stories. His fiction is notable for the way in which he blends together Gothic and Decadent influences to create uniquely strange stories that, according to critic and Gilchrist editor Dan Pieterson, anteceded the Cosmic Weird of Lovecraft.[1] He was certainly recognised and praised to a certain degree by his literary contemporaries. H.G. Wells ranked him among such successful

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