‘Out of Style’: Taylor Swift, Genre, and the Victorian Novel

Known all too well for her name in popular culture, Taylor Swift is gaining a reputation in literary circles, too. To enchanted listeners, she’s not just a singer-songwriter; she’s a poet as well. Following the release of Swift’s eleventh album, The Tortured Poets Department (2024), Stephanie Burt published an article in The Nation that recognised Swift’s mastery of literary devices, ranging from apostrophe and hyperbole to slant rhyme. Burt is certainly not alone in her attention to Swift as a

Read more

Disability and Narrative Voice in Dinah Mulock Craik’s ‘John Halifax, Gentleman’

Dinah Mulock Craik’s novel John Halifax, Gentleman (1856) is a fictional biographical account of John Halifax’s development as a self-made man, told by his best friend, the physically disabled Phineas Fletcher. Throughout the novel, Phineas is very much preoccupied with bodies and physicality, often expressing his deep admiration for John’s physical strength and health. From the very beginning, John’s masculinity is highlighted when Phineas introduces John and admires his able-bodiedness, even before mentioning his name, which provides the readers with

Read more

The Woman Professional and De Facto Non-Biological Motherhood in ‘The Story of a Modern Woman’

Ella Hepworth Dixon’s novel, The Story of a Modern Woman (1894), unlike many of its mid-century predecessors and fin-de-siècle contemporaries, does not burden its heroine, an aspiring professional woman, with marriage and biological motherhood.[1] Mary Erle, the main protagonist of Dixon’s novel, “did not care for babies” and “would rather have had a nice, new, fluffy kitten.”[2] Having thus described Mary’s lack of interest in children in no uncertain terms, Dixon’s narrative is also careful to point out her natural,

Read more