“Can you show me the places?”: Dickens 2012 and literary tourism

Dr Charlotte Mathieson, Associate Fellow  Department of English and Comparative Literary Studies, University of Warwick  The bicentenary of Charles Dickens’s birth on 7th February 2012 has prompted a wide range of celebratory responses across the world, with some prominent themes emerging in the proceedings: unsurprisingly, an emphasis on film adaptations and a biographical focus on Dickens’s life and works feature highly; and in Britain, neither is it unexpected to find events around the notion of “Dickens’s London” recurring throughout the

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Dickens and Mass Culture

Dickens and Mass Culture, by Juliet John, Oxford: Oxford University Press, 2010, xii + 321 pp., £50.00 (hardback), ISBN: 987-0-19-925792-8 Dickens studies needs this book; the first to wrestle, in a detailed way, with Dickens’s strangely overlooked relationship with mass culture. Juliet John provides some complex answers to questions such as: What was the basis for Dickens’s extraordinary popularity? Why has it persisted from his age to ours? How have relationships with Dickens changed? What makes Dickens so translatable “across

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Steampunk and the Academy; or it really is a clockwork universe, my dear Victorianists

Every year, just before my fall term starts here in Wisconsin, I, your intrepid JVC Online editor,  make a trip to Atlanta, Georgia to attend and participate in one of the largest fan-run science-fiction and fantasy conventions, Dragon*Con. I go to Dragon*Con every year to indulge in the geekiest part of myself, along with 40,000 fans, dealers, exhibitors, artists, guests, and volunteers from all over the world. For four days, we all pack into 3,500 hours of panels, workshops, contests,

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