Japanese Steampunk: Science, Religion, and Technology in ‘Fullmetal Alchemist’

The retrofuturism of steampunk literature relies often on representations of science fiction and fantasy to construct neo-Victorian alternative histories populated with advanced technology pushing the views of scientific progress. These narratives not only imagine new possibilities for the future, but also situate their alternative histories within a framework that juxtaposes scientific advancement against the notion of faith and religious dogma. In the case of Shonen manga, Japanese comics and graphic novels written for young male audiences, the steampunk genre is

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Picturing the Angel Outside the Home

When one pictures Victorian advertising, a fairly consistent image springs to mind: that of trade cards depicting corset-clad white women alongside their respectable husbands and cherubic children. These advertisements are intended to ensnare the morally sensible “angel of the house,” and persuade her that a particular brand of soap or soup or other household product is guaranteed to enrich her family’s wholesome lifestyle. But the Victorian era also gave rise to two earth-shaking consumer products that were intended to transport

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Lady Clementina Hawarden: photographic pioneer

Next to a window with shafts of light providing shadowy illumination into a sparsely furnished room stands an adolescent girl. There is a look of casual awkwardness about her, yet she has an enigmatic stare towards the camera, showing a degree of trust shared between herself, the model and the photographer.  Beyond the window is a blurred view of the city, lost in the power of the intimacy of the dramatic pose struck by this girl, the subject of the

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Roundtable on Paul St George’s Telectroscope

As part of JVC‘s ongoing commitment to exploring the continually evolving intersections Victorian culture with contemporary literature, arts, and popular culture, we have convened a virtual roundtable discussion on Paul St George’s Telectroscope. This roundtable is also being simultaneously published in the print edition of JVC 17.4 : http://www.tandfonline.com/toc/rjvc20/17/4. From May until June of 2008, New York City and London were visually connected in real time via the Telectroscope’s tubes and tunnels, to the amazement and delight of residents and

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Roundtable on Paul St George’s Telectroscope – David L. Pike

The post below is David L. Pike’s initial response to the questions posed in the JVC Online roundtable on Paul St George’s Telectroscope. David Pike is Professor of Literature at  the American University. To view the questions and ongoing conversation, as well as the other participants’ initial responses, use the links below. Questions & Ongoing Conversation || Jay Clayton || David L. Pike || Paul St George There are a number of possible factors in the popularity of the Telectroscope.

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Roundtable on Paul St George’s Telectroscope – Paul St George

The post below is Paul St George’s initial response to the questions posed in the JVC Online roundtable on Paul St George’s Telectroscope. Paul St George is an artist and the creator of the Telectroscope. To view the questions and ongoing conversation, as well as the other participants’ initial responses, use the links below. Questions & Ongoing Conversation || Jay Clayton || David L. Pike || Paul St George I thought I would join this conversation by answering one of

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Roundtable on Paul St George’s Telectroscope – Jay Clayton

The post below is Jay Clayton’s initial response to the questions posed in the JVC Online roundtable on Paul St George’s Telectroscope. Jay Clayton is William R. Kenan, Jr. Professor of English at Vanderbilt University. To view the questions and ongoing conversation, as well as the other participants’ initial responses, use the links below. Questions & Ongoing Conversation || Jay Clayton || David L. Pike || Paul St George In May, 2008, two enormous drills burst upward through piers on

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Art vs Industry Conference Report

Rebecca Wade, University of Leeds On the 23 and 24 March 2012, early career researchers, museum professionals and established academics gathered at Leeds City Museum to offer their perspectives on the intersections between art and industry during the long nineteenth century. Day One The conference began with a keynote by Lara Kriegel (Indiana), whose paper Lace, Ladies and Labours Lost: A Meditation on Art, Industry and Craft offered an apposite introduction through the historical narratives associated with the perceived loss

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