Japanese Steampunk: Science, Religion, and Technology in ‘Fullmetal Alchemist’

The retrofuturism of steampunk literature relies often on representations of science fiction and fantasy to construct neo-Victorian alternative histories populated with advanced technology pushing the views of scientific progress. These narratives not only imagine new possibilities for the future, but also situate their alternative histories within a framework that juxtaposes scientific advancement against the notion of faith and religious dogma. In the case of Shonen manga, Japanese comics and graphic novels written for young male audiences, the steampunk genre is

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Steampunk, Technological Time & Beyond Victoriana: Advocacy and the Archive

By Diana Pho Steampunk studies is an outlier in Victorian scholarship. In fact, steampunk subculture can arguably be called “neo-Victorian” or even “non-Victorian” in the way that it defies strict adherence to a certain periodization or topic relevance. Steampunk is an aesthetic movement inspired by nineteenth-century science fiction and fantasy. Over the years, however, that umbrella phrase has expanded to include speculation outside of an established time-frame (such as post-apocalyptic or futuristic), outside of the established geography of the Western

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Call for Proposals: JVC Online’s Neo-Victorian Studies & Digital Humanities Week

This fall, JVC Online will feature a week of posts devoted to the connections between Neo-Victorian studies and digital humanities. The goal of this week is to consider the ways in which we are mobilizing the tools, concepts, and methodologies of digital humanities research and pedagogy to re-contextualize, revise, and re-envision Victorian culture in terms of our age. Just as JVC Online’s digital form enables it to have broad reach, so too do the digital and technological elements of how

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The Work of Art in the Age of Steampunk: A Review of the Tate Britain’s ‘Pre-Raphaelites: Avant-Garde’ show

Gillian Piggott (Middlesex University) In our image-obsessed world, where versions of paintings are infinitely reproduced on cards, fridge magnets and coffee coasters, how is it possible to comport ourselves productively towards the great originals on display at an exhibition – such as those in the recent Pre-Raphaelites: Avant-Garde show at Tate Britain? In his late essay, ‘The Work of Art in the Age of Mechanical Reproduction’, Walter Benjamin outlines the phenomenon so descriptive of the experience one has nowadays of

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Roundtable on Paul St George’s Telectroscope

As part of JVC‘s ongoing commitment to exploring the continually evolving intersections Victorian culture with contemporary literature, arts, and popular culture, we have convened a virtual roundtable discussion on Paul St George’s Telectroscope. This roundtable is also being simultaneously published in the print edition of JVC 17.4 : http://www.tandfonline.com/toc/rjvc20/17/4. From May until June of 2008, New York City and London were visually connected in real time via the Telectroscope’s tubes and tunnels, to the amazement and delight of residents and

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Roundtable on Paul St George’s Telectroscope – Jay Clayton

The post below is Jay Clayton’s initial response to the questions posed in the JVC Online roundtable on Paul St George’s Telectroscope. Jay Clayton is William R. Kenan, Jr. Professor of English at Vanderbilt University. To view the questions and ongoing conversation, as well as the other participants’ initial responses, use the links below. Questions & Ongoing Conversation || Jay Clayton || David L. Pike || Paul St George In May, 2008, two enormous drills burst upward through piers on

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Punking the Victorians, Punking Pedagogy: Steampunk and Creative Assignments in the Composition Classroom

Dr. Kathryn Crowther (Georgia Perimeter College) As a Victorianist teaching primarily first-year English, I have to look for creative ways to bring my 19th-century interests into the classroom. A few semesters ago I was teaching freshman composition at Georgia Tech, and I began brainstorming for a way to design a course that combined Victorian texts with a focus on technology. I thought that 19th-century literature would be a hard sell in a class of engineers and programmers until conversations with

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Steampunk and the Academy; or it really is a clockwork universe, my dear Victorianists

Every year, just before my fall term starts here in Wisconsin, I, your intrepid JVC Online editor,  make a trip to Atlanta, Georgia to attend and participate in one of the largest fan-run science-fiction and fantasy conventions, Dragon*Con. I go to Dragon*Con every year to indulge in the geekiest part of myself, along with 40,000 fans, dealers, exhibitors, artists, guests, and volunteers from all over the world. For four days, we all pack into 3,500 hours of panels, workshops, contests,

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New Agenda – David L. Pike, ‘Afterimages of the Victorian City’

The Victorian street and underworld have had remarkable afterlives in twentieth-century reinterpretations of Victorian cityscapes. In JVC 15.2, David L. Pike explores what persists in our vision of the nineteenth-century city well over a century after it was, so to speak, first seen, and how what persists impacts on our attempts to reconstruct that act of seeing. He sees spectral ‘afterimages’ of the Victorian street  and underground, in a variety of contemporary sources, ranging from Gary Sherman’s Death Line (1972)

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