Sarah Parker, ‘Dressed to Impress: Fashioning the Woman Poet’

By Sarah Parker The idea for my recent article ‘Fashioning Michael Field: Michael Field and Late-Victorian Dress Culture’ originated with a trip to ‘The Cult of Beauty’ exhibition at the V&A in Spring 2011.  Among the walls crowded with Pre-Raphaelite paintings and cabinets filled with intricate, hand-bound volumes, visitors were also able to view numerous examples of male and female aesthetic dress, including a sunflower-print robe and puffed-sleeve artistic tea gowns, many of which originated from Liberty & Co. Viewing

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