In ‘William Bennett’s Heresy: Male Same-Sex Desire and the Art of the Eucharist,’ Dominic Janes’ continues to develop his study of the history of Christian ethics and aesthetics—first, in the context of the early Church, and secondly, in relation to the nineteenth century. In Victorian Reformation: The Fight over Idolatry in the Church of England, 1840-1860 (2009), he explored the discourses surrounding ‘idolatry’, which was, in a narrow sense, the worship of idols, but, in a broad sense, could mean
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