By Susan Cook (Southern New Hampshire University, Manchester, NH) As a Victorianist and a collector with an interest in photography, I decided, about a year ago, to begin amassing my own Victorian photography collection. I soon acquired three daguerreotypes, two tintypes, and eleven cartes-de-visite—all portraits, save two. I know very little about the images—no names, no dates, no locations beyond the photography studio imprinted on the cartes-de-visite. I have become transfixed by how little I know about these images. Two
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