Japanese Steampunk: Science, Religion, and Technology in ‘Fullmetal Alchemist’

The retrofuturism of steampunk literature relies often on representations of science fiction and fantasy to construct neo-Victorian alternative histories populated with advanced technology pushing the views of scientific progress. These narratives not only imagine new possibilities for the future, but also situate their alternative histories within a framework that juxtaposes scientific advancement against the notion of faith and religious dogma. In the case of Shonen manga, Japanese comics and graphic novels written for young male audiences, the steampunk genre is

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“Writing Between the Lines”: Style as Walter Pater’s Esoteric Teaching of Queerness

Walter Pater, late nineteenth-century aesthete, is sometimes considered a quietist lacking political engagement. Heather Love points out that Pater has been closely linked to the ills of aestheticism, in particular, political quietism. She challenges this view by proposing to read Pater’s works “not as a refusal of politics but rather as a politics of refusal”.[1] I argue that Pater is not only engaged in a “politics of refusal” but also covertly celebrates unorthodox queerness esoterically to ensure that his radical

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New Agenda – James Grande, ‘Nineteenth-Century London in William Godwin’s Diary’

William Godwin’s diary provides ‘a picture of London’s literary and extra-parliamentary political life’. In JVC 15.2, James Grande retraces the philosopher’s footsteps to reveal Godwin’s immersion in the material conditions and popular politics of nineteenth-century London. For this image and to read more about the diary, visit the Leverhulme-funded project, William Godwin’s Diary: Reconstructing a Social and Political Culture, 1788-1836. To read the full article, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=2&spage=201.

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