In 1885 William Morris wrote that poetry had become near-impossible in the modern age, since ‘language is utterly degraded in our daily lives, and poets have to make a new tongue each for himself: before he can even begin his story he must elevate his means of expression from the daily jabber to which centuries of degradation have reduced it’ (IIB 483). Abberley explores the intellectual influences that shaped Morris’s belief in such linguistic degradation, and how his late fiction
Read more