In the refreshment room of London’s Zoological Gardens, the protagonist of Edmund Saul Dixon’s short story, ‘A Vision of Animal Existences’ (1862), spots a woman reading a ‘thick volume’ that he recognizes. He pulls out reading material of his own—a newspaper—and, perusing its contents, finds a discussion appropriate to his surroundings: extinction, artificial selection, and species are amongst its topics. Prompted to refocus on the ‘volume’ of his nearby reader, however, he forges a further connection: ‘the blue-robed lady’s green-covered
Read more