By Carrie Sickmann Han, Indiana University Charles Dickens’s novels might actually go on forever, not only as immortal works of literature, but as infinitely continuable fictions, thanks in part to tweets like the one above. It’s a familiar fact that the digital humanities supply us with new methodological tools and reading platforms, but these technologies also produce a seemingly inexhaustible, living archive of neo-Victorian fictions that reposition us as co-authors of beloved Victorian novels. Twitter isn’t only “like” a Dickens
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In Search of Dickens’ Workhouse
By Rohan McWilliam To King’s College London on 23 February for the launch of Ruth Richardson’s new book, Dickens and the Workhouse, produced in an extremely handsome edition by Oxford University Press (don’t even think of reading it on a Kindle). The Anatomy Theatre at Kings is packed out for the party and Ruth delivers a wonderful speech making clear that the book is the product of her lifelong love of Dickens. Dickens and the Workhouse (I’ve now read the
Read moreDickens and Mass Culture
Dickens and Mass Culture, by Juliet John, Oxford: Oxford University Press, 2010, xii + 321 pp., £50.00 (hardback), ISBN: 987-0-19-925792-8 Dickens studies needs this book; the first to wrestle, in a detailed way, with Dickens’s strangely overlooked relationship with mass culture. Juliet John provides some complex answers to questions such as: What was the basis for Dickens’s extraordinary popularity? Why has it persisted from his age to ours? How have relationships with Dickens changed? What makes Dickens so translatable “across
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