Cotton Famine Poetry as Affective Commentary in Lancashire and Beyond

Apart from short journalistic pieces and the material produced for the database [1] associated with the AHRC-funded project, ‘The Poetry of the Lancashire Cotton Famine 1861-65’, my article which appears in Journal of Victorian Culture 25.1 is the first of probably several publications on the literary-historical-cultural subject to which I have devoted the last few years of my research. The article’s title, “This ’Merikay War’: Poetic Responses in Lancashire to the American Civil War’, with its reference to provincial Lancashire

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The deleterious dominance of The Times in nineteenth-century scholarship

By Andrew Hobbs (University of Central Lancashire) This post accompanies Andrew Hobb’s Journal of Victorian Culture article published (2013). It can be read in full here.    There were more local newspapers than London papers throughout the nineteenth century (Fig. 1), and their total circulation overtook the total circulation of the London press from the early 1860s to the 1930s. I didn’t realise this when I started my PhD, which aimed to establish a link between the local press and readers’ sense

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Les Misérables: Or, When Will Someone Set The Industrial Revolution To Song?

[youtube]http://www.youtube.com/watch?v=YmvHzCLP6ug[/youtube] With today’s nationwide release of Les Misérables I booked my ticket and hurried off to my local cinema, excited to catch ‘The Best Film Of The Year’ – which is high praise indeed as it is only January. The film adaptation of the world’s longest running musical has a lot to live up to: a dedicated fan base more judgmental than any twihard, and reputation for having attracted some of the biggest names of stage and screen to its

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Andrew Hobbs and Claire Januszewski, The Local Press as Poetry Publisher, 1800-1900

The local press as poetry publisher, 1800-1900 English local newspapers probably published around two million poems during the nineteenth century – more, if we include Scottish, Irish and Welsh papers. Although poetry in periodicals is acknowledged in recent research and scholarly databases, newspaper poetry has received less attention. Studies of working-class poets acknowledge in passing that much of their writing was first published in the local press, before moving on to more prestigious (but less widely read) publication in volume

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Conference Report: W. T. Stead: Centenary Conference for a Newspaper Revolutionary

Paul Horn, University of Birmingham On 16 and 17 April 2012, early career researchers, established academics, media and law professionals met at the British Library to exchange their perspectives on the life and work of the pioneering journalist and editor, W. T. Stead.  With Stead’s discursive career as a focal point, multiple routes were developed into knowledge of his time and ours. Day One The conference was opened with a keynote from Laurel Brake (Birkbeck), whose paper ‘W. T. Stead

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Richard Scully, ‘The Epitheatrical Cartoonist’; or, Matthew Somerville Morgan and the World of Theatre, Art and Journalism in Victorian London’

Richard Scully examines the close connections between the world of Victorian comic journalism and the theatre, taking Matthew Somerville Morgan (1837-1890) as a case-study. Morgan’s brilliant cartoons for Fun, Judy, and The Tomahawk (all competitors of Punch) owed much to his background as a scene-painter and designer of pantomime and melodrama. In fact, so bound up were his cartoons with theatrical modes of composition and subject-matter, that he can be described as an ‘epitheatrical’ cartoonist. ‘Epitheatrical’ is a recent coinage

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