‘I wear men’s lives’: The Maternal Femme Fatale in R. Murray Gilchrist’s ‘The Crimson Weaver’

Robert Murray Gilchrist (1868-1917) was a prolific writer who, over the course of his career, produced 22 novels and nearly 100 short stories. His fiction is notable for the way in which he blends together Gothic and Decadent influences to create uniquely strange stories that, according to critic and Gilchrist editor Dan Pieterson, anteceded the Cosmic Weird of Lovecraft.[1] He was certainly recognised and praised to a certain degree by his literary contemporaries. H.G. Wells ranked him among such successful

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“That tree gives me the creeps!”: Tales of Vampiric Plants

Readers of Gothic literature will quickly recognize that Irene is suffering from a vampire bite. She is not the victim of Dracula, Carmilla, or Lord Ruthven, though. Rather, it is a vampiric sumach tree that has attacked her during her sleep. Ulric Daubeny’s “The Sumach,” published in his collection The Elemental: Tales of the Supernormal and the Inexplicable (1919), is a fascinating killer-plant story. It tells of a tree that has grown from a stake plunged into the heart of a buried vampire. The tree possesses hypnotic powers that seduce young women to its branches to feed upon them.

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