Journal of Victorian Culture Online
The blog and online platform of the Journal of Victorian Culture
The detective who prowls through the billowing fog on the Thames, the adventurer who sets off in fantastic machines on journeys into the vastness of space and the depths of the ocean, or the brilliantly plotted intrigue in an aristocratic country estate: the popular literature of the Victorian era offers many themes that can still be found in contemporary media. Computer and video games are no exception to this rule. Passionate gamers can, for example, roam through the London of
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Unlike many other examples of “Golden Age” nineteenth-century children’s literature that promoted morality through allegorical form, Lewis Carroll’s Alice’s Adventures in Wonderland (1865) was without a clear instructional purpose. In this post, I consider two images by Sir John Tenniel (1865) and Salvador Dalí (1969) in order to reinterpret Wonderland’s possibilities through femininity and madness. In the Victorian period, ‘madness’ was a gendered construct associated with ideas of the feminine, such as hysteria.[1] Although Alice is represented as a child
Read moreRosalind White is a first-year PhD student at Royal Holloway, University of London looking at gender and emotions in the science and literature of the nineteenth century. She is part of the Techne doctoral training partnership which is funded by the Arts Humanities Research Council and is assistant director of the Centre for Victorian Studies at Royal Holloway. Her research traces how natural history in many ways dwelt within the feminine sphere of Victorian culture and charts a more intimate, personal
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By Amanda Lastoria, Simon Fraser University Alice’s Adventures in Wonderland (1865) endures as one of ‘the most popular children’s classics in the English language’[i], thanks to the creative vision and commercial savvy of Lewis Carroll and his contemporary publishers. Carroll created not just the Alice text, but the Alice books. Carroll was an art director. He oversaw the illustration, design and production of the first edition of Alice, and he (re)published the text in multiple editions that strategically segmented the
Read moreVictorian Poetry Now: Poets, Poems, Poetics, by Valentine Cunningham, Chichester: Wiley Blackwell, 2011, xiii + 537 pp., £95 (hardback), ISBN 978-0-631-20826-6 Reviewed byEmma Mason, University of Warwick emma.mason@warwick.ac.uk From his work on dissenting religious traditions to the significance of intertextual writing and reading practices and the status of critical theory in literary studies, Valentine Cunningham has shaped for himself a scholarly guise at once robustly intellectual and critically jocose. His critical voice – homiletic and idiosyncratic – resonates with a
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