Journal of Victorian Culture Online
The blog and online platform of the Journal of Victorian Culture
Our autumn issue, 28 3, contains an important Round Table, Piston, Pen and Press, covering new scholarship on nineteenth-century working-class literary cultures, from Mechanics Institutes to periodical poetry. The convenors of Piston, Pen and Press remind us that JVC has a rich tradition of publishing work on labouring class culture.
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Our latest issue, 28.1, features an extended Round Table entitled ‘Sculpture and Faith at St Paul’s Cathedral, c. 1796—1914‘. Lavishly illustrated, the collection boasts fifteen mini-essays, each devoted to one of the cathedral’s important monuments from our period. Many of these are free access. The Round Table is fuelled by the energies of multiple disciplines and approaches: art history, theology, history, ecclesiology, biography, empire- and queer studies, to name a few. As the introduction by Marjorie Coughlan, Jason Edwards and
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Journal of Victorian Culture 27.3 is now online, featuring an exciting range of articles spanning topics from royal pregnancy to feminine hunting culture, libraries to the intertwined complexities of language, class and race in the nineteenth century. Travel is a prominent theme, with Sam Tett’s “‘Going home when it was not home’: Jamais Vu in Nineteenth-Century British Fiction” offering a literary history of jamais vu that demonstrates its importance as a ‘rich interdisciplinary category’ of great interest to scholars of the nineteenth
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Anyone who’s read, or seen the latest adaptation of, Kate Atkinson’s Life after Life will remember the hapless Irish maid, Bridget, accused in an early scene of being ‘brought up in a field’. As Catherine Healy explores in her Prize Winning essay in this issue, Ethnic Jokes: Mocking the Working Irish Woman, ‘Bridget’ is a stock comic figure of the nineteenth-century press, appearing liberally in English, Irish and American light journalism. Healy’s essay extends and deepens the explorations pioneered in
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Journal of Victorian Culture 26.2 is now online, with lots of exciting interdisciplinary work, encompassing art history, print history, literary studies, digital humanities and medical history. Articles by Jina Moon and James Aaron Green will be of especial interest to readers of popular and New Woman fiction. There are some fabulous fashion plates in Rebecca Mitchell’s piece on Dolly Varden! The issue also features several free access articles, including a cutting edge Digital Forum on Mapping. We’d also like to remind everyone of imminent
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When Marysa Demoor, a longstanding member of Journal of Victorian Culture’s editorial board, suggested a celebration of eminent Victorianist Laurel Brake’s birthday, she was deluged with contributions from some of the most prominent scholars in the field: Margaret Beetham, Anne Humpherys, John Stokes, Helen Small, Lene Østermark, Marianne van Remoortel, James Mussell, Fionnuala Dillane, Andrew King, Mark Turner and Gowan Dawson. Each offered a personal take on the impact Professor Brake has had on their area of research activity, whether
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We are pleased to announce the next JVC Essay Prize competition. The aim of the prize is to promote scholarship among postgraduate research students working on the Victorian period in any discipline in the UK and abroad. The Journal inaugurated the prize in 2007, and our past winners include Louise Lee, Tiffany Watt-Smith, Bob Nicholson, Tom Scriven, Roisín Laing and Lucy Whitehead, whose essays appear in issues 13.1 (2008), 15.1 (2010), 17.3 (2012), 19.1 (2014), 21 4 (2016) and 24.
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The editors are pleased to introduce the latest issue of Journal of Victorian Culture in time for your December break. This issue includes our latest Graduate Essay Prize winner, Lucy Whitehead’s “Restless Dickens: A Victorian Life in Motion, 1872–1927″: a superbly innovative investigation of John Forster’s biography as a kind of proto-cinematic text (free access). Two of our essays explore medical-humanities perspectives on well-known authors: Lindsey Stewart’s “‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848)” and Gregory Brophy’s “Fit and
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