Tag: JVC Issue 18.2

Sarah Olwen Jones, ‘Bringing the Carlyles to Life: Public Intimacies of a Chelsea Interior’

Victorians Beyond the Academy

By Sarah Olwen Jones My recent article, ‘Staging the Interior: The Public and Private Intimacies of Thomas and Jane Welsh Carlyle’s Domestic Lives,’ has it roots in a seemingly chance and brief conversation. Several years ago, I found myself in a University of Sydney elevator being quizzed by Associate Professor Richard White about why so many great men and women — great literary figures, prominent intellectuals, and other persons of ‘note’ — frequented Thomas and Jane Welsh Carlyles’ London residence.

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Sarah Parker, ‘Dressed to Impress: Fashioning the Woman Poet’

Other

By Sarah Parker The idea for my recent article ‘Fashioning Michael Field: Michael Field and Late-Victorian Dress Culture’ originated with a trip to ‘The Cult of Beauty’ exhibition at the V&A in Spring 2011.  Among the walls crowded with Pre-Raphaelite paintings and cabinets filled with intricate, hand-bound volumes, visitors were also able to view numerous examples of male and female aesthetic dress, including a sunflower-print robe and puffed-sleeve artistic tea gowns, many of which originated from Liberty & Co. Viewing

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Amanda Paxton, ‘Husbands and Wives: Nineteenth-Century Contours of Power’

Other

By Amanda Paxton One of the most rewarding opportunities I had while researching my doctoral dissertation was working with the manuscripts of the clergyman, novelist, and social reformer Charles Kingsley in the British Library, particularly the uncompleted prose text “Elizabeth of Hungary.” Begun in 1842 but never completed, the breathtaking oversize volume was intended to provide a retelling of the life of St. Elizabeth of Hungary, whose biography served as the subject of Kingsley’s later verse closet drama, The Saint’s

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