Cruise Liners, Crypts and the Paradox of Venice

by Helen Kingstone (Leeds Trinity University / University of Leeds) Standing in the majestic Council Chamber of the Doge’s Palace, you’d be forgiven for thinking that Venice was still thriving as a Renaissance maritime empire. But suddenly a shadow falls over the room. The view from the window is obliterated, and filled instead with a different image: the huge white side of a cruise liner. This is a common occurrence in Venice, whose population is more than doubled each day

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‘Stone of Venice’ Reading Group 2

Information on the discussion group can be found here Vol. II. Chapter VI. The Nature of Gothic Leader: Jonathan Memel PhD Candidate, University of Exeter jogm201@exeter.ac.uk John Ruskin’s appendix to The Stones of Venice, ‘Modern Education’, provides a number of discussion points for Victorianists interested in education, training and democracy. Ruskin begins by attacking a model of education which prizes classical learning over applied, practical knowledge. He states that teaching should better prepare students for their role in the world.

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‘Stones of Venice’ Reading 1

Information on the discussion group can be found here. Vol. II. Chapter 1. The Throne Leader: Samatha Briggs Ruskin’s introduction to the second volume of The Stones of Venice outlines much of his argument about architecture in and travel to Venice. Ruskin approaches the city as a modern traveller offering a glimpse of what it may have been like to see it in its original splendour. Ruskin discusses the importance of memory, romance, and the imagination, the ideals we form

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The Stones of Venice Discussion Group

In the run up to the BAVS/NAVSA/AVSA Global and the Local conference (3-6 June), the Journal of Victorian Culture Online has organised a short online reading group of John Ruskin’s Stones of Venice. The reading will extend over three weeks and each week will focus on a different extract. Extract One: ‘The Throne’ (Friday 11th May- concluding Friday 18th May) led by Samantha Briggs (University of Exeter) Extract Two: ‘Modern Education’ (Friday 18th May- concluding 25th May) led by Jonathan Memel (University

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Art vs Industry Conference Report

Rebecca Wade, University of Leeds On the 23 and 24 March 2012, early career researchers, museum professionals and established academics gathered at Leeds City Museum to offer their perspectives on the intersections between art and industry during the long nineteenth century. Day One The conference began with a keynote by Lara Kriegel (Indiana), whose paper Lace, Ladies and Labours Lost: A Meditation on Art, Industry and Craft offered an apposite introduction through the historical narratives associated with the perceived loss

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