Ireland – Journal of Victorian Culture Online

Victorian Horse Shows: Spectacle, Leisure, Commodity

June 18, 2020 Sherra Murphy Victorians on Display

Horse shows, stalwarts of summer rural life, began as a Victorian phenomenon. Materialising in both London and Dublin in 1864 as responses to a sharp decline in the equine population, they coincided with the increasing promotion of leisure as an antidote to the pressures of modern work.[1] Leisure pursuits were allied to ‘the quickening pulse of commercial enterprise which did much to enlarge and glamourize leisure,’ and horse shows quickly became busy marketplaces catering to pleasure and social ambition.[2] Previously

Sophie Cooper, ‘Oh woman! woman! Who can resist thy influence’: Male personal writings on romance in mid-nineteenth century Chicago

September 25, 2015 lucinda matthews-jones Published in JVC

Sophie Cooper is a third year PhD student and William McFarlane Scholar at the University of Edinburgh. She is studying Irish communities in Melbourne and Chicago between 1850 and 1890, specifically in relation to situational influences on identity formation and nationalist thought. Sophie tweets using the handle @SophcoCooper and more information can be found on her academia page If E___ be really a living thing of a warm heart – all elevated sentiments & deep womanly passions – not a

Sophie Cooper, The Rush for Gold – A Global Quest

May 19, 2015 lucinda matthews-jones Published in JVC

Sophie Cooper is a second year PhD student and William McFarlane Scholar at the University of Edinburgh. She is studying Irish communities in Melbourne and Chicago between 1850 and 1890, specifically in relation to situational influences on identity formation and nationalist thought. Sophie tweets using the handle @SophcoCooper and more information can be found on her academia page. When you think of the poor migrants who left the United Kingdom during the nineteenth century, it is usual to think of

Susan Schuyler, ‘Crowds, Fenianism, and the Victorian Stage’

May 13, 2011 lisa hager Digital Forum

In her essay forthcoming in JVC issue 16.2, Susan Schuyler analyzes two Irish rebellion-themed plays in context of the growth of Fenianism in the months preceding the Clerkenwell explosion. The melodramatic dramas Oonagh; or the Lovers of Lisnamona (Her Majesty’s, 1866) and Achora Machree; or Gems of Ould Ireland (Newcastle-upon-Tyne, 1867) reveal the ways that popular theatre participated in a wider public discussion about what was seen as the modern phenomenon of the crowd. Produced on the eve of one

Book Reviews (15.3)

January 30, 2011 lisa hager Digital Forum

Helen Brookman on Gail Marshall’s Shakespeare and Victorian Women (Cambridge, UK: Cambridge UP, 2009) and Clare Broome Saunders’sWomen Writers and Nineteenth-Century Medievalism (New York, NY: Palgrave Macmillan, 2009). To read the full review, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=3&spage=402. Gavin Budge on Mary Poovey’s Genres of the Credit Economy: Mediating Value in Eighteenth- and Nineteenth-Century Britain (Chicago, IL: Chicago UP, 2008). To read the full review, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=3&spage=406. Grace Moore on Radhika Mohanram’s Imperial White: Race, Diaspora and the British Empire (Minneapolis, MN: University