With the exception of the Great Exhibition of 1851, and its long ‘afterlife’ following the relocation at Sydenham of the glass-and-iron Crystal Palace which housed it, perhaps no other event during the Victorian era engendered such an extensive and varied material culture as the Crimean War (1854-6).[1] Medallists, ceramists, artists, and others commemorated the age-defining conflict fought by the allies – Britain, France, the Ottoman Empire, and Piedmont-Sardinia – against Russia in a cornucopia of objects, many of which survive
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Rohan McWilliam, The Victorians Are Still With Us
Rohan McWilliam is Professor of Modern British History at Anglia Ruskin University in Cambridge. He is the author of The Tichborne Claimant: A Victorian Sensation (London: Continuum, 2007) and is currently writing a history of the West End of London. Contact: rohan.mcwilliam@anglia.ac.uk We seldom lack heirs to G.M.Young. When it comes to the Victorians, every age throws up its portrait of an age.[1] But producing a wide-ranging account of Victorian Britain these days is becoming increasingly difficult. The historical literature is
Read moreClare Walker Gore, Adventures in Marble and Monochrome: Victorian Sculpture and Photography at Tate Britain
Salt and Silver: Early Photography 1840-1860 25 February – 7 June Sculpture Victorious 25 February – 25 May With its fabulous permanent collection of Pre-Raphaelite paintings, Tate Britain always has an embarrassment of riches to offer the Victorian enthusiast, but its latest exhibitions are a further inducement to make the trip to Millbank if you can. Salt and Silver provides a fascinating glimpse into the world of early Victorian photography, bringing together ninety rare salted paper photographs from the mid-nineteenth
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