By Jessica Hindes (Royal Holloway) Though I understand the desire to dissect a period drama on the basis of its historical authenticity, I’ve never thought it a particularly profitable approach. Guy Woolnough may be right to criticise Ripper Street for condemning a 14 year old to an implausibly expedited hanging; but cataloguing this kind of historical inaccuracy contributes little to a critical understanding of the show. In this article, therefore, I set such questions aside in order to think more
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