Edna Lyall’s persona in the literary marketplace – as a compassionate author of novels rooted in sympathy – was satirized in 1891 by Punch. Her popular work Donovan was parodied as Sonogun by ‘Miss Redna Trial, Author of “Wee Jew;” “A Lardy Horseman;” “Spun by Prating,” &c., &c., &c.’.[1] A short note from ‘the fair Author’ caricatured Lyall further, giving readers her foolproof recipe for ‘pleas[ing] the publishers and captur[ing] the public’: The philosophic infidel must be battered into belief
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Sympathy in Public, Sympathy in Private: An Introduction to Novelist Edna Lyall in Two Parts (Part 1)
Sympathy sold well in the late-nineteenth-century literary marketplace. When the novel We Two (1884) by Edna Lyall (pseudonym of Ada Ellen Bayly, 1857–1903) became an overnight sensation, Lyall cut a figure that was ready-made to slip into the role of sympathy spokesperson. Her career became a sympathetic enterprise in more than one sense. Not only did she write sensitively to ease myriad anxieties crowding the minds and lives of lower-middle-class readers; she also aspired to instill in readers a habitual
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