Lining the shelves of a Museum of London warehouse are thousands of boxes of the broken and fragmented belongings of Victorian Londoners. In JVC 15.2 Alastair Owens, Nigel Jeffries, Karen Wehner and Rupert Featherby consider how such evidence can contribute to our understanding of the social and cultural worlds of Victorian Londoners. Does it allow us to grasp the ‘actualities’ of life in the modern metropolis, obscured by a pervasive bourgeois gaze that saturates other historical sources? This article is
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Book Reviews (15.2)
Malcolm Chase on G. W. M. Reynolds: Nineteenth-Century Fiction, Politics, and the Press, edited by Anne Humpherys and Louis James (Aldershot: Ashgate, 2008). To read the full review, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=2&spage=299 David Richter on Rebecca Stern’s Home Economics: Domestic Fraud in Victorian England (Columbus: Ohio State University Press, 2008). To read the full review, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=2&spage=303. Talia Schaffer on John Plotz’s Portable Property: Victorian Culture on the Move (Princeton: Princeton University Press, 2008). To read the full review, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=2&spage=307.
Read moreWendy Parkins, ‘Feeling at Home: Gender and Creative Agency at Red House’
In JVC 15.1, Wendy Parkins explores the relationships between men and women, friends and lovers at Red house, home of Jane and William Morris. She considers how the inhabitants expressed hospitality and affection through their use of space and objects. In their furnishings and ornamentation, Jane Morris and Georgiana Burne-Jones articulated their capacity for agency not merely as aesthetic objects but as creative subjects. Click here for further images of Red House Click here to visit Red House Click here
Read moreSupriya Chaudhuri, ‘Phantasmagorias of the Interior: Furniture, Modernity, and Early Bengali Fiction’
The Bengali novel, Supriya Chaudhuri finds in JVC 15.1, housed suspicion and distrust of European furnishings and the bourgeois individual that collected them. In the fiction of Rabindranath Tagore (1861-1941), this distrust manifests itself in a rejection of the bourgeois interior and a questioning of the very tools of realist representation. Yet Chaudhuri finds similarities as well as differences between the early Bengali novel and the classic realist experiment, for both shared a horror of fussy, over-stuffed apartments and the
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