JVC issue 27.1 is now available!

Anyone who’s read, or seen the latest adaptation of, Kate Atkinson’s Life after Life will remember the hapless Irish maid, Bridget, accused in an early scene of being  ‘brought up in a field’.  As Catherine Healy explores in her Prize Winning essay in this issue, Ethnic Jokes: Mocking the Working Irish Woman,  ‘Bridget’ is a stock comic figure of the nineteenth-century press, appearing liberally in English, Irish and American light journalism. Healy’s essay extends and deepens the explorations pioneered in

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Clare Walker Gore, Adventures in Marble and Monochrome: Victorian Sculpture and Photography at Tate Britain

Salt and Silver: Early Photography 1840-1860 25 February – 7 June Sculpture Victorious 25 February – 25 May With its fabulous permanent collection of Pre-Raphaelite paintings, Tate Britain always has an embarrassment of riches to offer the Victorian enthusiast, but its latest exhibitions are a further inducement to make the trip to Millbank if you can. Salt and Silver provides a fascinating glimpse into the world of early Victorian photography, bringing together ninety rare salted paper photographs from the mid-nineteenth

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Margery Masterson, ‘The green, green grass of home: Victorian landscapes and the remains of war’

Margery Masterson is a Teaching Fellow in Modern History at the University of Bristol. She specializes in the history of the Victorian army, civil-military relationships, and in the role of scandal in politics. Her current research is on middle-class masculine Victorian violence, including the persistence of duelling in nineteenth-century Britain. This post accompanies her recent Journal of Victorian Culture ‘Bombay Graveyards and British Beaches: The Tale of a Victorian Imperial Scandal’. You can download her article here. In an absorbing

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