Alice Crossley In 2013, the rituals of St. Valentine’s Day, often marked by romantic meals a deux, dozens of red roses, and garish greeting cards, are heavily commercialised. Some might suppose that little of the nineteenth-century quaint ritual and whimsy remains visible in the modern-day marking of this date. In fact, it really was the Victorians who initiated the mass production of valentines. Their promotion of increasingly innovative paper and lace fabrications were a visible and fashionable aspect of the
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Megan A. Norcia, ”Come Buy, Come Buy’: Christina Rossetti’s ‘Goblin Market’ and the Cries of London’
A blazingly sunny summer day in 2009 found me camped out at the Baldwin Collection of Historical Children’s Literature at the University of Florida. I was there researching nineteenth-century children’s guides to London (or so I thought), when in the midst of this study, the happy serendipity of archival work led me to Andrew Tuer’s nineteenth-century collection of London cries. As I read through Tuer’s guide and then rapidly searched for and consumed several others, I kept scrawling in my
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