BBC’s 2020 Dracula and its Others

Remakes of Victorian novels abound in the twenty-first century. While Dracula seems to be a particular favourite for re-writes, we seem consistently drawn back to the Victorian era for our gothic monsters: The Limehouse Golem, Penny Dreadful, Jekyll + Hyde, Sweeney Todd, and many more.[1] Beth Palmer describes these almost Freudian re-imaginings as ‘dramas which are often […] seeking to re-stage, in different ways, the neo-Victorian double-act of surprise and recognition: the Victorians were so strange; the Victorians were strange

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Dracula and Bram Stoker – a novelist’s review

by Ann Victoria Roberts Would Bram Stoker recognise the characters in Sky’s new TV series? I doubt it. But Dracula the TV series is just one more twist on a popular theme, one that has been endlessly re-interpreted since the unauthorised film, Nosferatu, first appeared in 1922. Stoker’s widow sued the German production company, and in doing so created the publicity which led to a fresh surge of interest in the novel. After good reviews at the time of its

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“Is there anybody there?” :Examining Victorian Responses to Spiritualism and the Occult

The Ashgate Research Companion to Nineteenth Century Spiritualism and the Occult, by Tatiana Kontou and Sarah Willburn (eds.), Surrey: Ashgate, 2012, v + 436 pages, illustrated, £85 (hardback), ISBN 978-0-7546-6912-8 The Theology of Dracula: Reading the Book of Stoker as a Sacred Text, by Noel Montague-Etienne Rarignac, London: McFarland & Company, Inc., 2012, v +234 pages, illustrated, $40 (paperback), ISBN 978-0-7864-6499-9 Reviewed by Dr Clare Horrocks (Liverpool John Moores University) C.L.Horrocks@ljmu.ac.uk As the dust jacket of the Ashgate Companion notes,

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