Emily Bowles is a PhD candidate at the University of York. Her research focuses on Charles Dickens’s self-representation 1857-1870, and representations by Dickens’s friends and family in life writing 1870-1939. She is also a postgraduate representative for the Northern Nineteenth Century Network, and you can find her on Twitter @EmilyBowles_. She has co-edited a special issue of ‘Peer English’ on Victorian biography. Writing Lives Together was a one-day conference that took place on 18 September 2015, put together with the
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Emily Bowles, A Brief History of Dickens Bashing
Emily Bowles is a PhD candidate at the University of York. Her research focuses on Charles Dickens’s self-representation 1857-1870, and representations by Dickens’s friends and family 1870-1939. She is also a postgraduate representative for the Northern Nineteenth Century Network, and you can find her on Twitter @EmilyBowles_. She will be speaking about Charles Dickens and the Dickens family writings at ‘Writing Lives’ at the University of Leicester. The recent publication of Death and Mr. Pickwick by Stephen Jarvis has sparked
Read moreCelebrity Circulation II: Dickens’s Moving/Images
By Susan Cook (Southern New Hampshire University, Manchester, NH) Dickens was famously mobile throughout his life, walking miles each day, moving households repeatedly, and traveling often. “If I could not walk far and fast,” he once wrote, “I think I should just explode and perish.”[1] This quote describes an obsession with walking, a physical need to walk not only long distances but quickly at that. Dickens saw walking as essential, writes Rosemary Bodenheimer. Walking allowed The Inimitable “to bring his
Read moreCelebrity Circulation I: Dickens in Photographs
By Susan Cook (Southern New Hampshire University, Manchester, NH) As a photographic image, Charles Dickens circulated far and wide. The man was photographed in excess of 120 times during his life [1], and was among all Victorians, as Joss Marsh recently put it, “the most photographically famous person in Britain outside the royal family” [2]. Ironically, however, Dickens disliked having his photographic image taken. Not only was he concerned that these images gave viewers a lie—a false sense of possessing
Read moreBloggers Fair: Lucy E. Williams and her ‘Wayward Women’
WaywardWomen is a new weekly blog I started writing in April 2012. Posts are all derived from my PhD research into the lives of Victorian England’s Female offenders, in which I examine the who, what, and why of crime in two Victorian cities – Liverpool and London. I examine the life narratives of female offenders in Victorian England, roughly between the periods 1830 – 1911, and assert that to fully understand the relationship between women and crime in Victorian England,
Read moreBloggers Fair: Amber Regis’ ‘Looking Glasses at Odd Corners’
I started my blog, Looking Glasses at Odd Corners, in October 2011. Its title is an obscure reference to a Virginia Woolf essay on ‘The Art of Biography’ (1939), a phrase that encapsulates my approach to life-writing: ‘Biography will enlarge its scope by hanging up looking glasses at odd corners.’ [1] As a Victorianist, my research is concerned with the recovery and recognition of playfulness, experiment and diversity in nineteenth-century auto/biography. I delve into the ‘odd corners’, shining a light
Read morePeter Ackroyd’s brief account of Wilkie Collins
I have recently left one university (Swansea) for another (Liverpool John Moores). Before I departed, I decided to offer some final pearls of wisdom to my personal tutees, along the lines of ‘Try thinking about how you might engage with your module outside the classroom; why not read a novel from the period, watch a film or documentary, or maybe find a blogger who frequently comments on some area of historical interest?’ Whether or not they have taken up my
Read moreSarah Wah, ”The Most Churlish of Celebrities’: George Eliot, John Cross and the Question of High Status’
Published in 1885, John Cross’s biography of his late wife, George Eliot’s Life as Related in Her Letters and Journals, was written with the intention to ‘make known the woman as well as the author’. Yet, ironically, the biography is renowned precisely for the lack of insight it affords readers into the private life of George Eliot. Why did Cross make a promise that he could not keep? In JVC 15.3, Sarah Wah seeks to answer this question by examining
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