Sir Thomas Muir (1844–1934): Victorian Educationist and Mathematician

The purpose of this blog is to introduce the reader to the Victorian mathematician and educationist Thomas Muir, and to provide an entrée to his diaries, in which he wrote of his adventurous tours in the remote interior of the Cape Colony.[i] Muir’s origins and his teaching years in Scotland Muir was a Scottish ‘lad O’Pairts’: Victorian Scotland prided itself on giving opportunities to a talented child from a modest background. Muir’s rise from rural Scottish boy in Lanarkshire to

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‘A Vision of Animal Existences’: Popular Responses to Darwin

In the refreshment room of London’s Zoological Gardens, the protagonist of Edmund Saul Dixon’s short story, ‘A Vision of Animal Existences’ (1862), spots a woman reading a ‘thick volume’ that he recognizes. He pulls out reading material of his own—a newspaper—and, perusing its contents, finds a discussion appropriate to his surroundings: extinction, artificial selection, and species are amongst its topics. Prompted to refocus on the ‘volume’ of his nearby reader, however, he forges a further connection: ‘the blue-robed lady’s green-covered

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Hysteria and Victorian Women in Art

In ancient Greece there existed the medical concept of a woman’s “wandering womb”; that is, the womb could move about the body, obstruct breathing and press on other organs to cause various symptoms of illness. It was “an animal within an animal”, according to the celebrated ancient Greek physician Aretaeus of Cappadocia. In the late nineteenth century, the notable French neurologist Jean-Martin Charcot began his study of unusual physiological symptoms presenting in women, such as nervous anxiety, faintness, irritability, uncontrolled

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William Seymour: ‘The Female Cab Driver of Liverpool’

On 10 February 1875, William Seymour, a cab driver, was remanded in custody and charged with stealing ‘22 lbs of beef’ and ‘5 lbs of veal’ from Mr Henry Moorby who owned a butcher’s on Leece Street in Liverpool.[1] Although William categorically maintained his innocence, he was charged with theft and the Liverpool Mercury commented that ‘upon the arm and breast of [his] coat were traces of suet which proved incontestably that he was guilty of the crime’.[2] Although this

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Nelly Erichsen at the Royal Academy, 1880-1886: One woman’s fight to be accepted as a professional artist

To the President and the Council, we the undersigned students of the Royal Academy do hereby respectfully and earnestly petition that rearranging the schools of this institution you will reconsider the question of granting us a life class for the study of the partially draped figure. We beg to lay it before your notice that almost all of us rely on the profession we have chosen as our future means of livelihood. Therefore a class which is considered so essential

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The Brotherhood of Free Gardeners

In July 1844, a jovial, portly ship’s steward named Sharrock Dupen mounted a white horse in the Cornish town of Redruth and prepared to accompany 65 of his fellow Free Gardeners in procession to his home town of Hayle, a distance of some ten miles. He was preceded by a trumpeter on horseback, a Brother holding the banner of the Cornubian Lodge, the chaplain carrying a bible on a purple velvet cushion, and a triumphal arch of fruit and flowers

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Black Performers in the Nineteenth-Century Circus

The circus has always been, and still is, inclusive by nature. The ‘modern’ circus, founded by Philip Astley over 250 years ago, was underpinned by a wealth of talented black performers. Some became famous in their own right, and were very much in the public eye; their names became household words. Some had just a single named reference in an advertisement, and others were just mentioned by their ethnicity. What has to be remembered, applauded, and celebrated is that in

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The Tricycle and the Camera: New Technologies for Self-Determination

Starting in the late 1870s, the leisure opportunities of a growing body of affluent middle-class photographers were expanded by the development and mass production of new photography and transport technologies: the dry-plate camera and three- or four-wheeled self-propelled machines (tricycles or quadricycles). While the former had removed the need to attend to the glass-plate immediately before and after exposure, as was the case with the wet collodion process, the latter enabled a new experience of mobility as an alternative to

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Picturing the Angel Outside the Home

When one pictures Victorian advertising, a fairly consistent image springs to mind: that of trade cards depicting corset-clad white women alongside their respectable husbands and cherubic children. These advertisements are intended to ensnare the morally sensible “angel of the house,” and persuade her that a particular brand of soap or soup or other household product is guaranteed to enrich her family’s wholesome lifestyle. But the Victorian era also gave rise to two earth-shaking consumer products that were intended to transport

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Flora Shaw: The Times, imperial travels, and a woman in empire

Flora Shaw was a journalist and Colonial Editor of The Times, 1893-1900. She secured this position due to a widely praised series of ‘Letters’ from South Africa, penned during the first of a number of visits to South Africa, Australia, and Canada in the following decade. Shaw visited South Africa and Australia in 1892-3, Canada and the Klondike in 1898, and South Africa in 1900 and 1902. Shaw was an evangelising imperialist, as Dorothy O. Helly and Helen Callaway have

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