Digital Forum: Processing the Past

In JVC 15.2., the three contributors to this Digital Forum discuss the exciting new opportunities for quantitative research.  Richard Deswarte focuses on the holdings of the History Data Service and considers what makes a useful quantitative data source.  Alexis Weedon assesses the production of resources suitable for quantitative research and the use of geographical information to argue for greater convergence between types of data.  Michaela Mahlberg offers an introduction to corpus linguistics, exploring what corpus approaches can offer existing research

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New Agenda – David L. Pike, ‘Afterimages of the Victorian City’

The Victorian street and underworld have had remarkable afterlives in twentieth-century reinterpretations of Victorian cityscapes. In JVC 15.2, David L. Pike explores what persists in our vision of the nineteenth-century city well over a century after it was, so to speak, first seen, and how what persists impacts on our attempts to reconstruct that act of seeing. He sees spectral ‘afterimages’ of the Victorian street  and underground, in a variety of contemporary sources, ranging from Gary Sherman’s Death Line (1972)

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New Agenda – John Stokes, ‘”Encabsulation”: Horse-Drawn Journeys in Late-Victorian Literature’

In 1900 there were some 50,000 horses working in London, although by 1914 with the coming of motorized transport that number was down to 1,400. Focusing on one of the primary ways that Victorians moved around London, John Stokes examines the perils and social niceties of hailing a horse-drawn cab in the nineteenth-century city. Click here for John Leech’s cartoons for Punch on the hazards of taking a cab (and on many other topics) To read the full article, visit

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New Agenda – James Grande, ‘Nineteenth-Century London in William Godwin’s Diary’

William Godwin’s diary provides ‘a picture of London’s literary and extra-parliamentary political life’. In JVC 15.2, James Grande retraces the philosopher’s footsteps to reveal Godwin’s immersion in the material conditions and popular politics of nineteenth-century London. For this image and to read more about the diary, visit the Leverhulme-funded project, William Godwin’s Diary: Reconstructing a Social and Political Culture, 1788-1836. To read the full article, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=2&spage=201.

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Tiffany Watt-Smith, ‘Darwin’s Flinch: Sensation Theatre and Scientific Looking in 1872’

Tiffany Watt-Smith won the Journal of Victorian Culture Graduate Prize Essay Competition, 2009. Published in JVC 15.1, her fascinating article explores the similarities between scientific observation and theatrical spectatorship, beginning with Charles Darwin’s self-conscious recollection in his Expressions of the Emotions of how he flinched before a puff-adder at the London Zoological Gardens. The author examines how Darwin’s scientific meditation on emotional gesture and expression was influenced by sensational performances in the theatre and the ways in which he encouraged

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Book Reviews (15.1)

Jacky Bratton on Jennifer Hall-Wit’s Fashionable Acts: Opera and Elite Culture in London, 1780-1880 (Durham, New Hampshire: University of New Hampshire Press, 2007). To read the full review, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=1&spage=164. Charlotte Mitchell on Gavin Budge’s Charlotte M. Yonge: Religion, Feminism and Realism in the Victorian Novel (Oxford, Bern & Peter Lang, 2007). To read the full review, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=1&spage=158. Donna Loftus on James Taylor’s Creating Capitalism. Joint-Stock Enterprise in British Politics and Culture 1800-1870 (Woodbridge, Suffolk: The Royal Historical Society

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Digital Forum: Readers and Users

In the Digital Forum of JVC 15.1, James Mussell asks what happens to readers in digital environments? Do we read differently on screen from how we read a printed text and, if so, how does this effect the way we respond to and make use of material in digital archives? Shafquat Towheed considers the consequences of reading nineteenth-century texts, not in their original form, but in twenty-first century digital space. Dana Wheeles reports how NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship)

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Welcome to the Journal of Victorian Culture Online

Welcome to the Journal of Victorian Culture Online, the online supplement to the Journal of Victorian Culture. In ‘Out Now’ and ‘Coming Soon’ you can read about the latest articles and features in the journal which covers all aspects of nineteenth-century society, culture, and the material world including: literature, art, performance, politics, science, medicine, technology, lived experience, and ideas. ‘Victorians beyond the Academy’ is a forum for discussing the presence and treatment of the Victorian in our contemporary world. You

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Perspective by Stephen Banfield, ‘What do you think of Stainer’s Crucifixion? Current Victorian musicology’

In his compelling survey of current work on musicology in JVC 15.1, Stephen Banfield considers how far scholars have challenged the popular disdain in which Victorian music held. Contempt for the period’s music, he suggests, is exemplified by the old joke about John Stainer’s cantata, The Crucifixion, first performed in 1887: ‘What do you think of Stainer’s Crucifixion?’ –  ‘I think it would be a very good thing.’ If it disagrees with us, he argues, it is because we perceive

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Elaine Freedgood, ‘What Objects Know: Circulation, Omniscience and the Comedy of Dispossession in Victorian It-Narratives’

In JVC 15.1, Elaine Freedgood examines Victorian it-narratives – stories related by talking umbrellas, feathers, and dolls. What lessons did these speaking objects impart to readers, and what do these stories tell us about how Victorians imagined what it meant to be a narrator, a person, a possession and a subject? To read the full article, visit http://www.informaworld.com/openurl?genre=article&issn=1355%2d5502&volume=15&issue=1&spage=83. Click here to enjoy it as a narrative  – Richard H. Horne’s Memoirs of a London Doll (1855)

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