Journal of Victorian Culture Online
The blog and online platform of the Journal of Victorian Culture
The first edition of H. G. Wells’s 1911 publication Floor Games, a manual for a worldbuilding game for children, opens with a declaration: [On a floor] may be made an infinitude of imaginative games, not only keeping boys and girls happy for days together, but building up a framework of spacious and inspiring ideas in them for after life. The British Empire will gain new strength from nursery floors.[1] The concept that child’s play could alter the child’s future —
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English Victorian Churches: Architecture, Faith & Revival (John Hudson Publishing) by the eminent architectural historian James Stevens Curl is a book that can be read in more than one way and appeal to more than one kind of audience. It can be read as a work of scholarship; one that spans two distinct but related disciplines, namely Victorian church architecture and nineteenth-century ecclesiology. As an authoritative survey and critique of the finest examples of nineteenth-century English church building, it would
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Under the direction of Lisa Surridge and with the support of the Social Sciences and Humanities Research Council of Canada, a group of scholars have created the peer-reviewed “Pregnancy and Childbirth in the Age of Victoria,” which can be found at https://www.victorianweb.org/science/maternity/uvic/index.html Thus far the project consists of the following, with more to come: “Pregnancy Testing,” by Isabel Davis “Pregnancy and Venereal Disease,” by Anne Hanley “Birth Control,” by Lesley Hall “Abortion,” by Lesley Hall “Breastfeeding, Wet Nursing, and Feeding ‘by
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Header image: A full upper vulcanite denture with porcelain teeth (1880-1920) from Sir Henry Wellcome’s Museum Collection at the Science Museum. In the mid-nineteenth century, the show of teeth in ordinary life began to mean something new. While many edentulous – or toothless – Victorians experienced shame due to widespread tooth loss, with the increasing proliferation of dentists and dental treatments came the lessened desire to conceal broken teeth behind handkerchiefs and fans. Arguably more than ever before, an emerging
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Ella Hepworth Dixon’s novel, The Story of a Modern Woman (1894), unlike many of its mid-century predecessors and fin-de-siècle contemporaries, does not burden its heroine, an aspiring professional woman, with marriage and biological motherhood.[1] Mary Erle, the main protagonist of Dixon’s novel, “did not care for babies” and “would rather have had a nice, new, fluffy kitten.”[2] Having thus described Mary’s lack of interest in children in no uncertain terms, Dixon’s narrative is also careful to point out her natural,
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Sherlock Holmes is not often associated with the supernatural, having “confined [his] investigations to this world” when Dr. Mortimer presented Sherlock with his most overtly supernatural case, in The Hound of the Baskervilles. Sherlock was logical, factual, and believed that human nature and the natural world, not the paranormal, could explain anything unexplainable. Despite this, Sherlock’s origins have closer ties to the supernatural than it might first appear. Sherlock’s creator, Arthur Conan Doyle, was a known spiritualist and a dedicated
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Figure 1 (header image): An advertisement for the wide range of goods to be purchased at the Salvation Army Trade Department, including an illustration of shoppers in the ‘Salvation Emporium’ showroom on Clerkenwell Road. From Salvation Army newspaper War Cry, 18 November 1893. Salvation Army International Heritage Centre. The notion of a ‘consumer identity’ is simultaneously ubiquitous and elusive. We are all consumers; and many of us do our best, in one way or another, to ensure that our consumer
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Header image: 1891 illustration from Thomas Hardy’s Tess of the d’Urbervilles, by Joseph Syddall. “Why so often the coarse appropriates the finer thus,” comments the narrator of Tess of the d’Urbervilles following Tess Durbeyfield’s fateful encounter with Alec d’Urbervilles at the Chase.[1] The exploration of sexuality within Victorian culture and literature, especially female sexuality, is extensive; Michel Foucault’s first volume of The History of Sexuality (1976), Nancy Armstrong’s Desire and Domestic Fiction: A Political History of the Novel (1987), Christopher
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‘Dear Boss, I keep on hearing the police have caught me but they wont fix me just yet. I have laughed when they look so clever and talk about being on the right track. That joke about Leather Apron gave me real fits. I am down on whores and I shant quit ripping them till I do get buckled.’ [1] [2] Scribbled in red ink, these sentences marked the first of several letters attributed to the serial killer known as
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To be young, socially privileged, and in love; such is the happy situation of Felix Wilding, the euphonious hero of Robert Hichens’s 1902 novel. The object of Felix’s adoration is socially prominent Valeria Ismey, who is the more attractive for being older and married; this after all is the 1900s, and Victorianism, represented by Felix’s loving, ineffectual mother, is in retreat. No: Mrs. Ismey’s problem – one evident to the reader before it is to Felix – is her hopeless
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