Fiction, Feeling, and Social Change

Feeling for the Poor: Bourgeois Compassion, Social Action, and the Victorian Novel, by Carolyn Betensky, Charlottesville: University of Virginia Press, 2010, 224 pp., £33.95 (hardback), ISBN 0813930618 Victorian Social Activists’ Novels edited by Oliver Lovesay, London: Pickering & Chatto, 2011, 4 Volume Set, 1456 pages, £350.00 (hardback), ISBN 978 1 85196 629 5 Is there inherent ethical value in feeling for, or with, the suffering of others?  In Feeling for the Poor, Carolyn Betensky argues that Victorian novels about poverty

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Victorians and ‘the Big Society’: Some reimaginings and reflections

by Lucinda Matthews-Jones The Victorians are everywhere. They are on our TV screens, bookshelves and DVD cabinets. Our appetite for Victorian culture is even fuelled, now, by newly-written ‘neo-Victorian’ novels and their TV adaptations, including Sarah Waters’s Fingersmith, Affinity and Tipping the Velvet and Michael Faber’s The Crimson Petal and the White. More recently, though I hardly dare mention it, the Victorians have even been re-imagined in the corridors of Westminster. Type David Cameron into Google and one of the

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The Framework Knitters’ Museum: See how the Victorian lived and worked

          Image One and Image Two showing the road sign directing visitors to the Framework Knitters’ Museum in Ruddington. I have recently moved from Manchester to a small Nottinghamshire village called Ruddington. Here is a corner of Englishness that still sees the shops close on Wednesday afternoon and where couples descend to the picturesque Anglican church to get married in summer. The nearby Great Central Heritage Railway provides the occasional ‘choo-chooing’ of visiting steam trains. The opening of

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