Picturing the Angel Outside the Home

When one pictures Victorian advertising, a fairly consistent image springs to mind: that of trade cards depicting corset-clad white women alongside their respectable husbands and cherubic children. These advertisements are intended to ensnare the morally sensible “angel of the house,” and persuade her that a particular brand of soap or soup or other household product is guaranteed to enrich her family’s wholesome lifestyle. But the Victorian era also gave rise to two earth-shaking consumer products that were intended to transport

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The Industrial Devolution podcast

The Industrial Devolution podcast is a new project by Dr. Tobias Wilson-Bates that seeks to think through many of the systems, practices, and aftereffects of the nineteenth century. In its first episode, Dr. Pearl Chaozon-Bauer and Dr. Sabrina Gilchrist lend their expertise to an exploration of the role dance plays in Jane Austen’s Emma (1815). By examining the text, the project seeks to explore how dance scenes’ narrative gravity was not only a product of good writing, but also a

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Victorian Horse Shows: Spectacle, Leisure, Commodity

Horse shows, stalwarts of summer rural life, began as a Victorian phenomenon. Materialising in both London and Dublin in 1864 as responses to a sharp decline in the equine population, they coincided with the increasing promotion of leisure as an antidote to the pressures of modern work.[1]  Leisure pursuits were allied to ‘the quickening pulse of commercial enterprise which did much to enlarge and glamourize leisure,’ and horse shows quickly became busy marketplaces catering to pleasure and social ambition.[2] Previously

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